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The Witch As Muse: Art, Gender, and Power in Early Modern Europe (New)
by Hults, Linda C.
Publisher: University of Pennsylvania
Book ID: 9780812221459, 0812221451
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Occult topics have long fascinated artists, and the subject of witches -- their imagined bodies and fantastic rituals -- was a popular one for painters and printmakers in early modern Europe. Focusing on several artists in depth, Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions.
While studying the work of such artists as Dürer, Baldung, Jacques de Gheyn II, and Goya, Hults discerns patterns suggesting that the imagery of witchcraft served both as an expression of artistic license and as a tool of self-promotion for the artists. These imagined images of witches were designed to catch the attention of powerful and important patrons. As witchcraft was being debated in political and intellectual centers, these images of witches were likely to be seen by those in power. Dürer's early engravings of witnesses made in the wake of the Malleus maleficarum of 1487 were crucial in linking the seductive or aged female form with the dangers of witchcraft. The polarized idea of gender pervaded many aspects of early modern culture, including art theory. As the deluded female witch embodied the abuse of imagination and fantasy, so the male artist presented himself as putting those faculties to productive and reasoned use.
Because there was little agreement about what constituted witchcraft and how society could best control the phenomenon, the images were viewed differently in various political, social, and religious contexts, but the aim of the artist was always calculated to further his career by the portrayal of witches.
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Three Hands Press
As the governor of the Dead and the burial ground, the Baron Samedi is one of the most distinctive and potent loa of Haitian Vodou. An imposing figure in black raiment, he is most often pictured as a corpse. His other magical domains, less discussed in esoteric literature, include disruption, obscenity and -- importantly for the practicing sorcerer -- not only the arts of Magic but the very fabric of which it is made.
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"As long as we lie to ourselves, the Trickster will be with us.
He'll show up just when we least want him, to embarrass us on a
first date, to prove us fools in front of the learned company
we're trying to impress, to make us miss a power breakfast with
that all-important business contact."
- Richard Smoley, from the introduction
Contents -- Spring 1991
The Complete Mystical Records of Dr. John Dee: Transcribed from the 16th-Century Manuscripts Documen
Llewellyn Worldwide, Ltd.
A lavishly packaged, two-volume box set containing the most faithful and accurate versions of John Dee's journals ever published. This is a must-have treasure for Dee aficionados and esoteric scholars who absolutely need the most meticulously detailed version of these highly influential works. A labor of love twenty years in the making, these volumes include transcripts of four manuscripts from the British Library and one from the Bodleian Library in Oxford. Two of these manuscripts have never b...More
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Inner Traditions / Bear & Company
In November 1949, architect Frank Lloyd Wright announced the death of "the greatest man in the world," yet few knew who he was talking about. Enigmatic, misunderstood, declared a charlatan, and recently dubbed "the Rasputin who inspired Mary Poppins," Gurdjieff's life has become a legend. But who really was George Ivanovich Gurdjieff?
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