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The Witch As Muse: Art, Gender, and Power in Early Modern Europe (New)
by Hults, Linda C.
Publisher: University of Pennsylvania
Book ID: 9780812221459, 0812221451
Usually available in 3-5 days
Occult topics have long fascinated artists, and the subject of witches -- their imagined bodies and fantastic rituals -- was a popular one for painters and printmakers in early modern Europe. Focusing on several artists in depth, Linda C. Hults probes the historical and theoretical contexts of their work to examine the ways witches were depicted and the motivations for those depictions.
While studying the work of such artists as Dürer, Baldung, Jacques de Gheyn II, and Goya, Hults discerns patterns suggesting that the imagery of witchcraft served both as an expression of artistic license and as a tool of self-promotion for the artists. These imagined images of witches were designed to catch the attention of powerful and important patrons. As witchcraft was being debated in political and intellectual centers, these images of witches were likely to be seen by those in power. Dürer's early engravings of witnesses made in the wake of the Malleus maleficarum of 1487 were crucial in linking the seductive or aged female form with the dangers of witchcraft. The polarized idea of gender pervaded many aspects of early modern culture, including art theory. As the deluded female witch embodied the abuse of imagination and fantasy, so the male artist presented himself as putting those faculties to productive and reasoned use.
Because there was little agreement about what constituted witchcraft and how society could best control the phenomenon, the images were viewed differently in various political, social, and religious contexts, but the aim of the artist was always calculated to further his career by the portrayal of witches.
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Yale University Press
Many call the fifteenth-century codex, commonly known as the Voynich Manuscript, the world s most mysterious book. Written in an unknown script by an unknown author, the manuscript has no clearer purpose now than when it was rediscovered in 1912 by rare books dealer Wilfrid Voynich. The manuscript appears and disappears throughout history, from the library of the Holy Roman Emperor Rudolf II to a secret sale of books in 1903 by the Society of Jesus in Rome. The book s language has eluded deciphe...More
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