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Memory, Metaphor, and Aby Warburg's Atlas of Images

Memory, Metaphor, and Aby Warburg's Atlas of Images (New)

by Johnson, Christopher D

Publisher: Cornell University Press

Binding: Paperback

Book ID: 9780801477423, 0801477425

$35.00

Usually available in 3-5 days

Description

The work of German cultural theorist and art historian Aby Warburg (1866-1929) has had a lasting effect on how we think about images. This book is the first in English to focus on his last project, the encyclopedic Atlas of Images: Mnemosyne. Begun in earnest in 1927, and left unfinished at the time of Warburg's death in 1929, the Atlas consisted of sixty-three large wooden panels covered with black cloth. On these panels Warburg carefully, intuitively arranged some thousand black-and-white photographs of classical and Renaissance art objects, as well as of astrological and astronomical images ranging from ancient Babylon to Weimar Germany. Here and there, he also included maps, manuscript pages, and contemporary images taken from newspapers. Trying through these constellations of images to make visible the many polarities that fueled antiquity's afterlife, Warburg envisioned the Atlas as a vital form of metaphoric thought.

While the nondiscursive, frequently digressive character of the Atlas complicates any linear narrative of its themes and contents, Christopher D. Johnson traces several thematic sequences in the panels. By drawing on Warburg's published and unpublished writings and by attending to Warburg's cardinal idea that "pathos formulas" structure the West's cultural memory, Johnson maps numerous tensions between word and image in the Atlas. In addition to examining the work itself, he considers the literary, philosophical, and intellectual-historical implications of the Atlas. As Johnson demonstrates, the Atlas is not simply the culmination of Warburg's lifelong study of Renaissance culture but the ultimate expression of his now literal, now metaphoric search for syncretic solutions to the urgent problems posed by the history of art and culture.

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Forrest, Adam (ed)


Book is limited to 500 hand numbered hardcover copies printed in two colors and bound in faux leather silk-touch cloth, 252 pages, Foil stamp on both the front and back boards with a full color frontispiece by acclaimed artist Caniglia and sewn in satin bookmark.

About the book:

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Allen, Lasara Firefox
Llewellyn Worldwide, Ltd.

"Jailbreaking the Goddess is an important contribution to the writings on Goddess tradition and feminist spirituality. . . . I love her political savvy, her sensitivity around issues of diversity and cultural awareness and appropriation, and her unabashed celebration of pleasure, sensuality, and life!" -- Starhawk

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Angell, Tony
Yale University Press

For a quarter century, Tony Angell and his family shared the remarkable experience of closely observing pairs of western screech owls that occupied a nesting box outside their forest home. The journals the author recorded his observations in, and the captivating drawings he created, form the heart of this compelling book a personal account of an artist-naturalist s life with owls. Angell s extensive illustrations show owls engaged in what owls do hunting, courting, raising families, and exercisi...
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Chassan, Frater Ashen


One of only 1000 Signed limited edition hardcover copies. Individually hand bound with silver foil stamping, 70lbs acid neutral paper. Printed in two colors with over 140 illustration!

Gateways Through Light and Shadow is the second book by Bryan Garner, known to his fellow ceremonial magicians as Frater Ashen Chassan, and in it we are again offered the illuminating opportunity to observe and learn from a practicing magus engaged in his Work. Once more he offers instruction in the pro...
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Schulke, Daniel A. (ed)
Three Hands Press

Limited to 800 copies

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