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Knossos and the Prophets of Modernism (New)
by Gere, Cathy
Publisher: University of Chicago Press
Binding: Hardcover with dust jacket
Book ID: 9780226289533, 0226289532
Please inquire for availability
In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. Over the next three decades, Evans engaged in an unprecedented reconstruction project, creating a complex of concrete buildings on the site that owed at least as much to modernist architecture as they did to Bronze Age remains. In the process, he fired the imaginations of a whole generation of intellectuals and artists, whose work would drive movements as disparate as fascism and pacifism, feminism and psychoanalysis.
With Knossos and the Prophets of Modernism, Cathy Gere relates the fascinating story of Evanss excavation and its long-term effects on Western culture. Gere shows how Evanss often-fanciful account of ancient Minoan society captivated a generation riven by serious doubts about the fundamental values of European civilization. After the First World War left the Enlightenment dream in tatters, the lost paradise that Evans offered in the concrete labyrinth -- pacifist and matriarchal, pagan and cosmic -- seemed to offer a new way forward for writers, artists, and thinkers such as Freud, James Joyce, Georgio de Chirico, Robert Graves, Hilda Doolittle, all of whom emerge as forceful characters in Geres account.
Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism.
Gnosis 19: The Trickster. A Journal of the Western Inner Traditions
"As long as we lie to ourselves, the Trickster will be with us.
He'll show up just when we least want him, to embarrass us on a
first date, to prove us fools in front of the learned company
we're trying to impress, to make us miss a power breakfast with
that all-important business contact."
- Richard Smoley, from the introduction
Contents -- Spring 1991
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